Choreographer, dancer and cultural worker
Is a Mexican-Chilean-Austrian artist and cultural worker living between Vienna and Mexico City. Her work is concerned with the decolonisation of art, focusing on the political and social power of movement. Her works are contemporary rituals for temporary dismantling the ideological separations between modern and traditional, the human, the animal and the vegetal, nature and culture. Amanda Piña is interested in making art beyond the idea of a product and in developing new frameworks for the creation of sensual experiences.
Her pieces have been presented in renown art institutions such as Fondation Cartier pour l’Art Contemporain, Paris, MUMOK Museum of Modern Art, TQW and ImpulsTanz Festival, in Vienna. DeSingel Antwerpen,STUK Leuven, Buda Kortrik, Beurschowburg Brussels, Royal festival Hall London, Museo Universitario del Chopo, Mexico City, Tanz NRW, Düsseldorf and HAU, Hebbel am Ufer in Berlin, NAVE and Festival Internacional Santiago a Mil in Chile.
She studied Painting before going into performance and movement based art, Studied Physical Theater in Santiago de Chile, Theater Anthropology in Barcelona and Contemporary Dance and Choreography in Mexico, Barcelona, Salzburg (SEAD) and Montpellier (Ex.e.r.ce Choreographic Centre Montpellier) with – amongst others – Mathilde Monnier, Joao Fiaideiro, Xavier Le Roy, Olga Mesa and Julyen Hamilton. In 2006 she received the danceWEB scholarship and in 2007 the scholarship for Young Choreographers from Tanzquartier Wien. In 2018 she was awarded with the Fonca Arts grant from the Mexican Government.
Since 2013 she is a certified Feldenkrais practitioner applying the method to movement research in performance, installation and video. She danced and performed in pieces by – amongst others – DD Dorvillier, Claudia Heu, Ewa Bankowska, Daniel Aschwanden, Frans Poelstra & Robert Stejin, and Christine Gaigg, among others. She finished the international post graduated studies in curating in the performing arts at the Salzburg University with prof. Nicole Haitzinger and Sigrid Gareis.
Since 2008 she leads the gallery space specialized in expanded choreography and performance nadaLokal in Vienna which she founded together with the Swiss Visual Artist Daniel Zimmermann. Currently works on the realisation of the long-term project Endangered Human Movements dedicated to movements and cultural practices that have already vanished or are threatened with extinction. Four volumes of research in the scope of this project have been already realised which include performances, Installations, Videos, publications, curatorial frames, workshop and lectures.
- Four remarks on the history of danceEndangered Human Vol.1
- Dance and ResistanceEndangered Human Vol.2
- The Forest of MirrorsEndangered Human Movements Vol. 3
- Penacho-RitualAgency of Display
- The School of the JaguarEndangered Human Movements Vol. 3
- Rongo-Rongo-TourAgency of Display
- The Jaguar and the SnakeEndangered Human Movements Vol. 3
- NatureThe camera people
- TeatroI am the theatre
- THEMHey, I’m just a person reading this
- ITEnjoyment consumption and waste
- The Dance of GrassEthno political dance tutorial
- Neuer Wiener BioaktionismusMaterial action satiates
- WEWow, I’m really good looking today
- Letters of FriendshipJuan is Ivan
- SocialmovementTheatre down!
- Politische MasseHotel Imperial
- The SpectatorVibrates in a frequency of 16 Kilohertz
- WAR (Ein Kriegstanz)
- KörperspracheGood evening […]
- The DinnerEat, drink, chat, laugh
- Bodywork and FreedomWarm up…
- JetlagFunicular train
- SelfWho am I?
- YOUThe indexical
- Endangered Human Movements Vol.1Four Remarks on the History of Dance
- Endangered Human Movements